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1) THE OMEN: The truck. The handbrake, slipping. The sheet of glass.
David Warner’s head, sliced cleanly off, spinning and bouncing, again
and again, from a new angle each time. This has to be one of the great
screen deaths, for jaw-dropping, hysterical shock value. It’s also
one of the absolute camp highlights of a fantastically obtuse movie.
The wooden horror of Gregory Peck’s reaction shot is if anything
trumped by the look of faint amusement on the face of the extra standing
next to him.
2) ALIEN: No less deserving of gross-out notoriety than the John Hurt
chest-burster, frankly. Ian Holm’s gone haywire – flailing,
milk-spurting, weirdly violating a prone Sigourney Weaver – so Yaphet
Kotto knocks his block off. Revealed as a robot, science officer Ash can
in fact still function, once his crew members plug him back in. So he
explains himself, and wishes them luck. They’ll need it.
3) THE EVIL DEAD: Another Ash – Bruce Campbell’s character, terrorised
on all sides by shrieking, putrefied loons where his friends used to be.
One of them disinters itself, leaps at his flesh, and with a swing of a
shovel, its head goes flying. Damn funny, a scene Raimi can’t resist
remaking in the sequels. With a zombie granny.
4) SLEEPY HOLLOW: (poem) There’s this local legend that Christopher
Walken gives good head. People queue up, but he actually chops them off,
instead.
5) BRAM STOKER'S DRACULA: Loads of obligatory severings – it’s a plot
point, you know. Got to laugh when Hopkins comes out of the castle
swinging a handful of undead babes by the hair and chucks them over a
precipice. And, come on, Sadie Frost was asking for it – blatantly a
vampire.
6) HIGHLANDER: A key text. Sean Connery has been earnestly exhorting
protegé Christophe Lambert not to lose his head, as it’s the
only way to properly die. But he fails to take his own advice, and it is
operatically lopped off against a backdrop of stormy weather and
cardboard turrets, which then soggily collapse. Few heads in this film
remain on shoulders, but it at least meant less chance of appearing in
the sequel for the decapitees.
7) GLADIATOR: It’s all over in a very flashy flash – swords cross round
his neck, and another Crowe foe bites the dust, head-first. Makes an
impact. In fact, a friend of mine stood up and applauded in the front row.
Are you not entertained?
8) BLACK RAIN: A mid-movie, briefly tedium-dispelling shocker. Andy
Garcia, meet samurai sword. Sword, meet Andy’s head, in some
suspiciously atmospheric car park, and dislodge it unexpectedly from
body. Ridley Scott obsession emerging here.
9) BRAIN DEAD: One prays for this kind of carnage in Lord of the Rings, but
it’s doubtful, somehow. Rudely disembodied by a pair of garden shears,
a bespectacled zombie head gets kicked around on the floor, amid sundry
other body parts, some dead, some undead, all extremely mushy and
garish. Later, it gets liquefied in a blender.
10) FINAL DESTINATION: Love this one. Dawson’s Creek guy was supposed
to die on a train track, but Eminem Stan video man intervenes in the nick
of time. So death’s sadistic design (someone actually says that) gets
screwed up. Instead, American Pie guy interfaces with a shard of flying
metal (makes a change from semen in his beer, anyway). The others are a
bit grossed out, but quickly turn to discussing what’s up with that: can
they actually cheat death? Because being dead, like, totally bites,
dude.
Tim Robey
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